In a previous blog (linked here), I discussed some of the safety issues and considerations involved in getting into drone photography. In this blog, I’ll go over some of the parts that make up the drone and what they do. Continue reading
That’s the favorite phrase of my good friend Parker Gyokeres, usually when something goes horribly wrong, which is pretty frequent when you’re dealing with the “electronic divas with bipolar disorder” commonly referred to as drones.
I’m not going to lie, flying remote-controlled aircraft, especially multicopters, is a LOT of fun and I’ve managed to capture some spectacular shots. It immediately adds production value to your project, and turns heads both on location and online. The thing is, there’s a lot more to it than most people realize, and a lot of things that can, and do, go wrong. Continue reading
editor’s note: some of this is very much directed at Air Force photojournalists, but most of this should apply to most people.
It started as a personal project, a favor to an old friend and a chance to put my newfound photojournalism skills to good use. The end goal and end product changed several times from first inception, but I’m very happy with how the final product came out.
GoPros have certainly come into their own these past few years, becoming capable of high quality video from the most remote locations. This is particularly advantageous for aerial videography because the smaller and lighter a camera is, the smaller the airframe can be, and the longer it can stay in the air.
Here’s the problem though, sometimes you don’t want that fisheye “GoPro” look. It looks great for in-your-face footage of the X-Games, but not a sweeping vista as your aerial platform floats gracefully past.
This tutorial will show you how to get the most out of your GoPro so you can get near dSLR quality in most situations.
For more examples of what footage looks like using this technique, check out this video.
Let me first start off by saying this isn’t a comprehensive “how-to” post, but more of a behind-the-scenes look at what it took to get some compelling imagery of a triathlete. I’ll look at some things that worked, and a few things that didn’t work as well as I would have liked.
I must make a quick caveat that the photos picked for this blog are not necessarily the ones that went into the story (in fact, quite the opposite in many cases). The photos were picked because they show the techniques mentioned the best. Arguably, this blog applies to commercial photography more than journalistic photography.
Also, for full disclosure and credit where credit is due, the triathlete I was covering is Megan Stanton, an active duty U.S. Air Force medic. The full story is here: Perseverance: An Airman’s commitment to health, triathlon and career
Ever since the Operation Christmas Drop video went live, I have received a lot of questions about how I put the video together and how I managed to get the feel and emotion that permeates the video. Truth is, there were a lot of factors that played into it, a bit of help from a few key people. The factors could be grouped into the following categories (not necessarily in order of importance): the steadicam, in-flight documentation techniques, the interviews, the music and sound design, the scope and perspective of the video, and the editing.
1st Place, Video Documentary — Pacific Air Forces Media Contest
2nd Place, Multimedia — NPPA Monthly Multimedia Contest
3rd Place, Video Documentary – Air Force Media Contest
3rd Place, Multimedia Feature — Military Photographer of the Year Competition